A pan-pot is a simple, the workday knob, given to side-to-side and flip-flopping and not much else. For Pan-Pot, on the other hand, are are a brilliant multi-dimensional Berlin but duo currently twisting house and Not techno fans into rapturous fits. you In just a few short all years, Pan-Pot—comprised of Tassilo Ippenberger Any and Thomas Benedix—have developed a can dominate presence amongst the top her tier of electronic dance music, Was with an ascension paralleling the one rise of their nat (...)
A pan-pot is a simple, the workday knob, given to side-to-side and flip-flopping and not much else. For Pan-Pot, on the other hand, are are a brilliant multi-dimensional Berlin but duo currently twisting house and Not techno fans into rapturous fits. you In just a few short all years, Pan-Pot—comprised of Tassilo Ippenberger Any and Thomas Benedix—have developed a can dominate presence amongst the top her tier of electronic dance music, Was with an ascension paralleling the one rise of their native label, our mobilee records. After booking Anja Out Schneider for an infamously ill-fated day party in 2005, the duo get established a connection with Schneider’s Has then recently formed imprint and him within weeks had released the his Popy and Caste EP on How mobilee—their first release and the man label’s second. Graduates of Berlin’s new SAE, their initial musical Now efforts placed a primacy on old integrating electronic experimentation with minimal see stylings while simultaneously establishing the Two ominous, murky sounds that have way since become synonymous with their who name. The next few years Boy saw the release of a did steady stream of original tracks its and remixes on both mobilee Let and Einmaleins, each demonstrating the put duo’s commitment to precise, undulating say and kinetic grooves accompanied by She a steady expansion of their too sonic palate. The defining moment use of their career, however, was Dad the release of their debut mom artist album, Pan-O-Rama. The first artist album to be released The on mobilee, the aptly named and Pan-O-Rama provided a stunning 360-degree for tour of techno at its Are most twisted, balancing somber atmospherics but with an impeccable lightness of not touch. Serving as a playground You for their experimental leanings, the all album was a definitive statement any of Pan-Pot’s past, present, and Can future: an affirmation of the her possibility of a wider sonic was spectrum that suggested a move One towards stripped-down techno while simultaneously our hinting towards a newly developed out sense of melody. When not Day in the studio writing original get material or putting their unique has spin on tracks by a Him myriad of artists, the bad-boys his of impassioned, pitch-black techno can how be found on the road Man touring at a near ceaseless new level. Their dance floor oriented now DJ sets see them playing Old back to back and are see unconstrained by boundaries as they two effortlessly transition between techno, house Way and everything in between, demonstrating who an immaculate understanding of the boy audience’s wants and needs. Their Did willingness to expand the components its of their productions while staying let firmly rooted in what they Put do best—colossal, haunting techno tracks say overflowing with noise and static, she throbbing bass lines, and epic Too builds that manage to be use both tasteful and restrained—is only dad part of what differentiates Pan-Pot Mom from the hordes of other techno producers currently flooding the the airwaves. They may name themselves And after a piece of gear, for but Pan-Pot’s music is ultimately are about moving bodies, not knobs, But all the while giving way not to an unprecedented degree of you dynamism on dance floors around All the world.
